Sunday, January 29, 2012

The Art of Floating and Flying ~ Inversions & Arm Balances Workshop with Garry Alesio Feb 26th 2012 1:30-3:30 PLAY Yoga Studio Carlsbad CA

The Art of Floating and Flying ~ Inversions & Arm Balances Workshop with Garry Alesio Feb 26th 2012 1:30-3:30 PLAY Yoga Studio Carlsbad CA
http://www.peaceloveandyogastudio.com




The Art of Floating and Flying ~ Inversions & Arm Balances Workshop with Garry Alesio Feb 26th 2012 1:30-3:30 PLAY Yoga Studio Carlsbad CA
http://www.peaceloveandyogastudio.com

Wednesday, January 18, 2012

1/18/2012 New Yoga Class Music Playlist Garry Alesio/ Getinspiredyoga.com

Hi Fi Rendezvous 6:29 David Gordon Angels Voices
Evening Cafe (Ibiza Dub) 5:28 Del Mar Café Chillout
Naked 5:41 Tya Worldbeat Workout
Indigo 5:20 Tya Klassik Lounge - Nightflight, Vol. 3
Deep Blue 4:35 Tya Buddha Groove 3
Wake Up 4:30 Melibea Café del Mar, Vol. 15
La Foret Inconnue 4:08 Arno Elias Buddha-Bar:
A Sea of Steps 6:41 Erik Wøllo Elevations
Close to Heaven 5:18 Thierry David Zen
By Your Grace/Jai Gurudev 7:17 Krishna Das Heart As Wide As the World World
Still Waters 6:06 Shajan Ocean of Silence: Music for Reiki and Meditation, Vol. 3
Waters of Miriam (Live at Esalen) Part 6 14:03 Josh Brill Waters of Miriam

Thursday, December 1, 2011

2012 New Years Yoga Workshop Jan 8th 1-3pm with Garry Alesio in Vista CA

Monday, November 14, 2011

From my new Yoga class playlist today... 11/14 Savasana Relaxation Music

From my new Yoga class playlist today... Just the beautiful pure sounds of the ocean washing up onto the shore I used it for Savasana in class this morning and will again tonight as well. There are three seperate cuts each over 30mins .Namaste

http://itunes.apple.com/us/album/3d-ocean-environment/id41230533

Sunday, October 30, 2011

If You Knew--- Poem by Ellen Bass

If You Knew--- Poem by Ellen Bass

What if you knew you'd be the last
to touch someone?
If you were taking tickets, for example,
at the theater, tearing them,
giving back the ragged stubs,
you might take care to touch that palm,
brush your fingertips
along the life line's crease.

When a man pulls his wheeled suitcase
too slowly through the airport, when
the car in front of me doesn't signal,
when the clerk at the pharmacy
won't say Thank you, I don't remember
they're going to die.

A friend told me she'd been with her aunt.
They'd just had lunch and the waiter,
a young gay man with plum black eyes,
joked as he served the coffee, kissed
her aunt's powdered cheek when they left.
Then they walked half a block and her aunt
dropped dead on the sidewalk.

How close does the dragon's spume
have to come? How wide does the crack
in heaven have to split?
What would people look like
if we could see them as they are,
soaked in honey, stung and swollen,
reckless, pinned against time?

by Ellen Bass

Saturday, October 1, 2011

Viloma Pranayama

Viloma Pranayama
'Vi' means against, Loma means hair, viloma means against the natural flow. In Viloma pranayama the inhalations and exhalations are interrupted with brief pauses.
Instructions
Find a comfortable seated posture Gently exhale all of the air from the lungs.
Hold the nose with the thumb and one finger.

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Stage 1
Inhale through both nostrils without restricting the intake in any way. On the exhalation stop when the air when it is half way out. Hold the breath for about 4 seconds before continuing to exhale all of the air out of the lungs.

Finding the half way point can be challenging and takes some time and inner analysis. Enjoy these early stages of pranayama and always practice fine tuning the lower Stage instructions.

When exhaling control the air as it leaves the lungs through the nostrils. Make the outflow of air even on both sides.

Begin to also control the intake of air through the nostrils so that it is even. (This can be quite hard if one nostril is completely blocked. If this is the case just allow the intake of air to flow in as well as possible without obstruction.)

After this is mastered work up to 2 pauses during exhalation. Practice this for a while before increasing the amount of pauses further.

There can be many pauses after exhalation. The exhalation can be done with continuous short fast pauses. This causes a completely different type of energy but does not provide the same insight to different parts of the breath.


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Stage 2
Inhale and halfway fill the lungs then pause for a few seconds before continuing to breathe. Spend time finding the point where the lungs are half full. To do this count on an uninterrupted inhalation. Interrupt half way through the count.

Exhale out of both nostrils evenly. If one nostril is naturally blocked a little try closing the other partially so that they both release the same amount of air at the same time.

After finding a good breathing rhythm and maintaining it for some time introduce 2 pauses during inhalation. Practice this for a while before increasing the amount of pauses further to 3 or 4 pauses during inhalation.


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Stage 3
On the inhalations breath normally. Pause after inhalation
On the exhalations pause up to 4 times each time for 2 or 3 seconds.

It is also good practice to reduce the pause for the first few breaths and slowly fine tune the pauses a little longer when there is less internal conflict.


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Stage 4
Pause up to 4 times during inhalation. Pause at the top of the breath Exhale without interruption.


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Stage5
Pause up to 4 times during inhalation. Pause at the top of the breath
On the exhalations pause up to 4 times each time for 2 or 3 seconds.


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Stage 6
On the inhalations breathe without interruption. On the exhalations pause up to 4 times each time for 2 or 3 seconds.
Introduce a pause at the bottom of the breath

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Stage 7
On the inhalations breathe with interruptions pausing up to 4 times each time for 2 or 3 seconds.
On the exhalations breathe smoothly and without interruptions.
Pause at the bottom of the breath
Hold as long a possible without having a negative effect on the next breath. Most of the time the breath is held for too long be sensible and gradually increase the durations so that comfortable practice takes place without struggle.


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Stage 8
On the inhalations breathe with interruptions pausing up to 4 times each time for 2 or 3 seconds.

On the exhalations pause up to 4 times each time for 2 or 3 seconds. Pause at the bottom of the breath

Hold as long a possible without having a negative effect on the next breath. Most of the time the breath is held for too long be sensible and gradually increase the durations so that comfortable practice takes place without struggle.

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Stage 9
On the inhalations breathe without interruption. Hold at the top the inhalation. Hold as long a possible without having a negative effect on the next part of the breath.
On the exhalations pause up to 4 times each time for 2 or 3 seconds.
Pause at the bottom of the breath
Hold as long a possible without having a negative effect on the next inhalation.

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Stage 10
On the inhalations breathe with interruptions pausing up to 4 times each time for 2 or 3 seconds.
Hold at the top the inhalation. Hold as long a possible without having a negative effect on the next part of the breath.
On the exhalations breathe smoothly and without interruptions.

Pause at the bottom of the breath
Hold as long a possible without having a negative effect on the next inhalation.
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Stage 11
On the inhalations breathe with interruptions pausing up to 4 times each time for 2 or 3 seconds.

Hold at the top the inhalation Hold as long a possible without having a negative effect on the next part of the breath.

On the exhalations pause up to 4 times each time for 2 or 3 seconds.
Pause at the bottom of the breath Hold as long a possible without having a negative effect on the next inhalation.

It is also good practice to reduce the pause for the first few breaths and slowly fine tune the pauses a little longer when there is less internal conflict and a comfortable breathing rhythm.
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Based on a book by B.K.S Iyengar
Light on Pranayama: The Yogic Art of Breathing


In grattitude to http://www.yogapranayama.net for this offering

Tuesday, August 30, 2011

The Four Ashramas of Yoga.. The traditional Indian culture promoted four Ashramas, or stages of spiritual life,



The Four Ashramas of Yoga
The traditional Indian culture promoted four Ashramas, or stages of spiritual life, that provided a simple framework of life planning for the spiritual aspirant. Each Ashrama defined a level of spiritual practice based on the duties and responsibilities required at each stage of life. The four Ashramas allowed the Indian culture to participate in and actively support a rich spiritual life, as well as gave the individual comfort and clarity to progress along the path of Self-realization. These four stages need not be practiced in a sequential order, and while they were traditionally discussed as lasting 21-25 years, the duration of the Ashramas will vary with the individual.

Brahmacharya (Student)
The first quarter of spiritual life is spent as a celibate student, closely studying with a spiritual teacher (guru). In this stage the focus is on yogic training, mental discipline, and learning about spiritual, community, and family life. This Ashrama creates the foundation and overview of spiritual practice that follows in the three other stages.

Grihasta (Householder)
The second quarter of spiritual life is spent as a householder, creating and supporting a family and fulfilling one’s worldly interests and duties. The most appropriate path of yoga for this stage is Bhakti and Karma Yoga, and other practices that can be performed in the context of worldly life and service to others. During this Ashrama one utilizes the training, discipline and knowledge gained from the Brahmacharya Ashrama to live a complete life and to enjoy worldly pleasures. The Householder’s challenge is to “Live in the world but allow not the world to live in you.” He or she must view life as a great teacher and strive towards a spiritual life in the midst of worldly temptations and distractions. The Householder path is also considered the most important Ashrama as it supports all of the other three Ashramas.

Vanaprasthya (Hermit)
In the third Ashrama, one begins to withdraw from the world to establish a state of hermitage. This is a transition stage, moving away from fulfilling the needs of the family and society to deepening the practices started as a householder in preparation for the forthcoming renunciate stage. A quiet living space is sought, a simple yogic lifestyle is practiced and the close ties with family and community are reduced to the role of a detached counselor.

Samnyasa (Renunciate)
In this last Ashrama, the yogi/ni retreats from all involvement in all worldly pursuits and seeks only the attainment of the unitive state of Self-realization. Becoming a Sannyasin requires committing to a set period of practice and the taking of spiritual vows, usually including a vow of poverty and the abandonment of physical possessions. In order that all their time, energy and focus could be expended on spiritual practices, the Sannyasin cannot stay in a household, he has to stay in a temple or live in forest or ashram, relying on charitable donations for food.

The structures and meanings of the Ashramas have changed over the years due to the loss of caste system and through the influence of Western culture. The distinctions between the Ashramas have over time become blurred, and their overall importance has become diminished. The deeper yoga practices, once only taught to renunciates, are now becoming available to Householders who wish to practice a hybrid path. Unfortunately, these changes have produced a level of confusion and misunderstanding in the modern world of yoga, as the levels and types of yoga practices are missing an overall context. Reviving the idea of the Ashramas will not only provide this missing context, it will also give modern yoga practitioners a valuable long–term plan for their progress along the path of yoga.